Ӱҵ

© 2026 Ӱҵ

1375 Euclid Avenue, Cleveland, Ohio 44115
(216) 916-6100 | (877) 399-3307

WKSU is a public media service licensed to and operated by Ӱҵ.
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Your backstage pass to Northeast Ohio's independent music scene.

Remembering Cleveland’s Euclid Beach through music

A vintage postcard showing a former rollercoaster at Cleveland's Euclid Beach amusement park
Euclid Beach Park Now Archives
Euclid Beach Park opened in 1895 and played a role in many families' lives before the amusement park closed in 1969. Cleveland pianist Chris Neiner composed a 25-minute piece inspired by the park's history, including its wooden rollercoasters, and will perform his work on June 25.

One of Cleveland’s most beloved landmarks is roaring back to life through music.

Composer and pianist Chris Neiner is turning the sights, sounds and memories of Euclid Beach Park into a new chamber music work inspired by its history and the generations of Clevelanders connected to it.

For Neiner, one newspaper headline from 1969, the year the amusement park closed, helped unlock the emotional weight behind the project.

“The headline was ‘Requiem for a childhood memory’ or ‘Requiem for a childhood fantasy,’” Neiner said. “It was like, ‘Requiem?’ Wow, that’s deep. All because you couldn’t go on this roller coaster? And then it’s like, ‘Well, actually, it’s more important than that.’”

The beloved amusement park operated along Cleveland’s lakefront for 74 years and was noted for its landmark entry arch, roller coasters and carousel.

As Neiner dug deeper into its history, he realized Euclid Beach was woven into generations of family stories.

“There are people who are like, ‘I exist because my parents went on their first date there,’” he said. “Or their grandparents worked there making popcorn and serving ice cream, and suddenly they met. Or mothers being past due and riding the carousel to help induce labor.”

Those stories became the foundation for “Tales of Euclid Beach Park,” Neiner’s latest composition.

Chris Neiner conducts an orchestra
Michael Yonchak
Chris Neiner has built a national performance profile, with works performed by ensembles including the Grammy-winning Cleveland Chamber Symphony, Illinois Philharmonic Orchestra, Minnesota Sinfonia and Boston New Music Initiative. His new piece, "Tales of Euclid Beach Park," features clarinet, violin, cello and piano.

Bringing the park back to life through sound

has built a growing national profile as a composer and arranger. His work has been performed by ensembles including the Grammy-winning Cleveland Chamber Symphony, the Illinois Philharmonic Orchestra and the Minnesota Sinfonia.

In 2026, he also received an Individual Excellence Award from the Ohio Arts Council.

“Tales of Euclid Beach Park” was commissioned by the nonprofit Musical Upcoming Stars in the Classics (M.U.S.i.C) and was written for clarinet, violin, cello and piano.

The work aims to recreate the sounds, energy and nostalgia of the historic park through four movements.

To capture the atmosphere, Neiner immersed himself in Euclid Beach history.

“It’s so important to invite people in to learn. Why does this piece exist? Why am I here? What’s this about? How do I understand this better?”
Chris Neiner

“I watched videos on the park, I interviewed people who had gone there, I listened to YouTube playlists of carousel music,” he said. “There was a picture of kids doing the twist in the dance pavilion. I just kind of studied what was happening.”

The movement, “Swing and a Twist at the Dance Pavilion,” pays tribute to that pavilion, which stood from the park’s opening in 1895 until it burned down in 1972.

The opening movement, “The Arch and Grand Carousel,” reflects the excitement of entering the park beneath its iconic arch and hearing the carousel music swell nearby.

“There is everything from two-step to swing band to foxtrot to twist,” Neiner said.

A more reflective movement, “The Pier at Sunset,” was inspired by Neiner visiting the remains of the old pier himself.

“I literally went to the remains of the pier and just stood there,” he said. “So it has a little bit more of this romantic, nostalgic tinge.”

The final movement shifts gears, intentionally taking listeners on a roller coaster ride.

Neiner said the project also became a way to reconnect with the joy that first drew him to composing.

When he was a teenager, before becoming a serious music student at the Indiana University Jacobs School of Music and the Cleveland Institute of Music, he wrote songs just for “the love of it,” he said.

“It’s a piece where I feel like I really focused on being who I naturally am, instead of being a composer who needs to impress people,” Neiner said.

That same philosophy shapes how he approaches performance and audience engagement.

“I have seen too many concerts where it’s just music, and we clap and then we leave,” he said. “It’s so important to invite people in to learn. Why does this piece exist? Why am I here? What’s this about? How do I understand this better?”

Building a new classical music community in Little Italy

Neiner’s philosophy on music extends beyond his compositions.

Alongside pianist Allison Hillier, he co-founded the , an Italian-inspired chamber music concert series in Cleveland’s Little Italy neighborhood.

Allison Hillier and Chris Neiner stand outside of Studio Espressivo holding a Live Music sign
Nick Nazak
Pianist Allison Hillier partnered with Chris Neiner to start an Italian-inspired concert series in Little Italy called the Sunday Studio Series. The series, held at Hillier's venue Studio Espressivo, blends performance, culture and conversation.

Hillier, who was born in Canada and later relocated to Cleveland, earned degrees from the Oberlin Conservatory and the Cleveland Institute of Music before founding Studio Espressivo in 2019.

Located in Murray Hill, the studio doubles as both a teaching space and intimate performance venue.

“Chris and I had dinner one evening, and I said, ‘Hey, do you want to start a concert series together in Little Italy?’ And he said, ‘Yeah, let’s do it. Let’s make it Italian themed,’” Hillier said.

Programs mix familiar classical works with lesser-known repertoire while encouraging conversation between performers and audiences.

The collaboration stemmed from their shared belief that music is meant to connect with people.

“Part of that is not just performing the pieces but talking about the pieces and why they’re important to us,” Hillier said.

The response exceed their expectations, so they now do three shows to accommodate audiences.

Choosing Cleveland

Both musicians said they chose to stay in Cleveland after completing their studies because of the city’s collaborative arts community and neighborhoods, like Little Italy, that continue to support local artists.

“I can’t imagine not being in Cleveland. There’s such a great music scene,” Hillier said.

She said their performance series has become as much about giving back to the neighborhood as it is about showcasing local talent.

“This community has taken care of me,” Hillier said. “I eat here, I live here, I’m friends with the people here. It feels as a musician that you should give back to your community, and I think this is the way that we know how.”

Neiner said Cleveland is a great place to be a musician while still balancing family life.

“It would take a very life-changing experience or opportunity for me to leave Cleveland,” Neiner said. “I'm very happy to stay here and be super involved in everything that goes on and support it.”

Neiner will perform “Tales of Euclid Beach Park” June 25 at the Cleveland History Center, home to the restored Grand Carousel that helped inspire the music.

He is also developing an expanded orchestral version of the work.

Expertise: Audio storytelling, journalism and production
Brittany Nader is the producer of "Shuffle" on Ӱҵ. She joins "All Things Considered" host Amanda Rabinowitz on Thursdays to chat about Northeast Ohio’s vibrant music scene.