Tennis fans received shattering news over the weekend when Roger Federer pulled out of the U.S Open for a fourth knee surgery.
The 40-year-old Swiss tennis player has twenty Grand Slam Titles 鈥� tied with Novak Djokovic and Rafael Nadal. Federer hoped to make history at the tournament.
鈥�,鈥� a new biography from New York Times tennis writer , tells the story of Federer鈥檚 longevity on the court.
Federer鈥檚 first injury happened in 2016 when he tore his meniscus giving his daughters a bath, Clarey says.
鈥淗e came back so strong after that, took six months off at the end of 2016 and came back and had some of his best results ever in 2017 and 2018,鈥� Clarey says. 鈥淸He] went back to number one at age 36 and it was just kind of a fairytale run for him there.鈥�
After a remarkable career full of accomplishments, Federer now finds himself in a poignant situation after more than two decades of hard work, Clarey says. Maintaining physical health long enough to play deep into his 30s is a blessing for Federer, the writer says.
鈥淚nevitably, the game is very grueling,鈥� Clarey says. 鈥淵our body is going to break down at some point鈥�
Federer is known as a real threat to win multiple tournaments in a year and challenge opponents at the Grand Slam tournaments. However, Clarey believes this marks the end for Federer on the court.
鈥淭o be honest with you, I wrote [the book] now probably because I felt like the main body of work for him was already finished,鈥� the author says. 鈥淎nd I feel like the book has an elegiac tone to it in places and a valedictory tone to it as well.鈥�
Interview Highlights
On why we should care about Roger Federer
鈥淩oger is a naturally gifted player 鈥� one of the most naturally gifted ever 鈥� but he鈥檚 also a self-made man. I鈥檝e covered him since he was in his teens and have seen his evolution. But I don鈥檛 think I really grasped how challenging it was and what an accomplishment it was on so many levels. And he鈥檚 somebody who started with a bad temper. He learned to manage his temper and his expectations and really became a Zen master on the court, working with psychologists and on himself and his coaches. He managed to really channel all that nervous energy and frustration into a very composed tennis player and style.鈥�
On Federer鈥檚 temper tantrums, such as throwing his racket and screaming, when he was a young tennis player
鈥淗e had a very difficult time losing. I mean he was quite young at the time but there stories from his Swiss coaches when he was young about him sitting under the chair 鈥� umpire鈥檚 chair 鈥� after a junior match where he lost and crying. Everybody else went to have lunch and their picnic. And Roger stayed there on the court in tears, basically unable to control his disappointment.
鈥淚 think we have to really recognize the achievement there in terms of being able to master that. He鈥檚 been able to master himself as well as the game. And it also applies to out of court things rather 鈥� his business career as well. He started from a very low point, unpromising point as a Swiss player from a small country, even though it鈥檚 a wealthy country. And he built himself into the most successful financially tennis player ever. He鈥檚 earned over $1 billion on court and off during his career.鈥�
On a part of the book where American tennis player Andre Agassi talks about Federer taking the game to a different level
鈥淭hat story comes from Darren Cahill, who was Andre鈥檚 coach for a long time. Darren was blown away by that moment just because he鈥檇 never seen Andre 鈥� a great long lasting champion 鈥� have that kind of reaction to a match. And I think it鈥檚 basically like realizing that the technology has moved beyond you or the world that you鈥檙e living in suddenly you鈥檙e no longer fit entirely. That was Andre鈥檚 epiphany that day, I think.
鈥淚 think the problem with Roger is that when Andre played other players in the past 鈥� Pete Sampras or Boris Becker, Stefan Edberg, previous great players 鈥� he always felt there was a safe place to go. But against Roger, because of Roger鈥檚 ability to take the ball early and create angles and power from anywhere on the court, there was really no safe haven anymore for Andre. And I think that鈥檚 what he was feeling. And he also had a really hard time reading Roger鈥檚 game. I think it鈥檚 just that feeling of being rushed and confused. And during Roger鈥檚 heyday, a lot of players felt that way.鈥�
On the French calling Federer鈥檚 gameplay 鈥� looseness and ease
鈥淭hat French word, which is about relaxing and looseness, really does sum it up. But the question is why? And if you talk to people who are part of his career early on, part of it is his childhood coach, Peter Carter 鈥� He basically built Roger鈥檚 game. And one of the things he did was he sort of had him keep his eyes on the ball and the contact point quite a bit longer than the usual tennis player. Peter Carter did this himself. And it gives Roger this kind of polish on his shots. And it also gives the impression that he has a bit more time and everybody else. And he鈥檚 also just a naturally beautiful mover with his legs and the way his footwork works around the court. But I think that extra bit of time that he seems to have is the key, what they call 鈥榗ourt vision鈥� in tennis. Your ability to sort of see the whole canvas, if you will.鈥�
produced and edited this interview for broadcast with . adapted it for the web.
Book Excerpt: 鈥楾he Master鈥�
By Christopher Clarey
Chapter One
TIGRE, Argentina
Midnight approached, and so did Roger Federer.
We journalists do a lot of waiting, and this wait was in a chauffeured car in a Buenos Aires suburb with Eric Carmen鈥檚 plaintive ballad 鈥淎ll by Myself鈥� playing on the radio. That sounded right on key for me as I sat alone in the backseat with my notes and pre-interview thoughts, but not for Federer, who so seldom seems to be all by himself and certainly was not on this occasion.
It was mid-December 2012, the tail end of a resurgent year in which he had returned to No. 1 by winning Wimbledon, his 铿乺st Grand Slam title in more than two years. Now, he had left his wife, Mirka, and three-year-old twin daughters at home in Switzerland and come for the 铿乺st time to this part of South America to play a series of exhibitions that had sold out in minutes.
He was here for the money: $2 million per appearance, which guaranteed him more for six matches than the $8.5 million he had earned in o铿僣ial prize money in all of 2012. But Federer was also here for the memories: the chance to commune with new audiences in new places despite all the demands on his mind and body in the previous eleven months.
Other champions with their fortunes already secured would have been content to pass on the journey and the jet lag. But Federer and his agent, Tony Godsick, were thinking big picture: considering untapped Federer markets as well as untapped Federer emotions. The tour, which had taken him to Brazil and now Argentina, had surpassed their expectations, symbolized by the crowd of twenty thousand that had 铿乴led the makeshift stadium in Tigre this evening. That was a record for a tennis match in Argentina, proud land of tennis icons like Guillermo Vilas, Gabriela Sabatini, and Juan Martin del Potro, who had been Federer鈥檚 opponent and to some degree Federer鈥檚 foil.
鈥淚t was great but a little strange for Juan Martin,鈥� said Franco Davin, then del Potro鈥檚 coach. 鈥淗e鈥檚 at home in Argentina, and they cheer more for Federer.鈥�
So it has gone in many a tennis nation. Federer gets to play at home just about everywhere, and even near midnight several hundred Federer fans were still waiting outside the stadium: adults standing on boxes to get a better view, children perched on their parents鈥� shoulders, digital camera lights 铿俛shing as their owners kept 铿乶gers on but-tons in order to capture the moment.
It was quiet and expectant, and then it was bedlam as Federer emerged from a side door and made his way to the backseat, moving lightly on his feet even after the three-setter against del Potro.
鈥淏ye-bye. Bye-bye. Bye-bye!鈥� he said rhythmically in a conversational tone to the fans before opening the car door.
鈥淗ow are things?鈥� he said to me in the same tone after closing it behind him.
I have followed Federer on six continents; interviewed him more than twenty times over twenty years for the New York Times and the International Herald Tribune. Our meetings have taken place every-
where from a private plane to a backcourt at Wimbledon to Times Square to Alpine restaurants in Switzerland to a suite at the H么tel de Crillon in Paris with a ridiculously good view of the Place de la Concorde while his future wife, Mirka Vavrinec, tried on designer clothes.
One habit that separates Federer from most other elite athletes I have encountered is that he will ask about you 铿乺st and not in a perfunctory manner: inquiring about your own journey to this particular place, your own perceptions of the tournament, the country, the people.
鈥淭he reason Roger is so interesting is because he鈥檚 so interested,鈥� Paul Annacone, his former coach, once told me.
My family of 铿乿e had embarked on a globe trot of our own in 2012: a school year on the road beginning with three months in Peru, Chile, and Argentina.
Federer wanted to hear the highlights (Torres del Paine and Chilo茅 Island in Chile, Arequipa in Peru). But he was most interested in the schooling and how our three children reacted and bene铿乼ed. It was yet another hint that he planned to remain on the road with his own family inde铿乶itely, that he wanted to keep his children part of his everyday life and show them quite a bit of the world along the way.
鈥淲e are sort of returning guests at most of the cities and tournaments, and we鈥檝e also created a lot of friends around the world,鈥� he said. 鈥淚t鈥檚 that home-away-from-home feeling. I鈥檓 able to reproduce that quite easily now, especially now with the kids. I want to keep reproducing that for them so they always feel comfortable everywhere we go.鈥�
Federer鈥檚 curiosity鈥� be it polite or from the heart鈥� sets the tone for a conversation rather than a structured interview. It is disarming, although that does not seem to be his intent. What it creates, most of all, is an air of normalcy amid the extraordinary, and that is something Federer projects very intentionally. Federer can handle being on a pedestal (he has had lots of practice), but he often emphasizes that he is happier seeing eye-to-eye. His mother, Lynette, might well have passed this on. When someone hears her surname or a shopkeeper sees it on her credit card and asks if she is related to that Federer, she answers in the a铿價mative but then quickly shifts the focus by inquiring if they have children of their own.
As the Argentines shouted and pressed toward the car, he did not shrink from the window. He drew closer to it.
I asked Federer if he knew the English word 鈥渏aded.鈥�
鈥淎 little bit,鈥� he said, sounding hesitant.
鈥淚n French, it basically means 鈥榖las茅,鈥欌�� I said. 鈥淵ou鈥檝e been through it all before, things no longer give you the same rush. It鈥檚 kind of how you imagine Bj枚rn Borg in the car leaving the US Open, never to return.鈥�
Borg was twenty- 铿乿e then.
Federer considered that for a moment.
鈥淚t happens very quickly,鈥� he said. 鈥淵ou鈥檙e just, 鈥業鈥檓 done. I don鈥檛 want to do it anymore. I鈥檓 tired of it all.鈥� And really, that鈥檚 what I try to avoid by having the proper schedule and the proper fun and the
proper change, because, like you mentioned, if you do the same thing, it doesn鈥檛 matter what you do, too many times, all the time, too often you get bored of it. It doesn鈥檛 matter how extraordinary your life might be, so that鈥檚 where I think these kinds of trips, or a good buildup practice session or a great vacation or some amazing tournaments in a row, toughing it out, whatever it might be, it鈥檚 in the mix that I 铿乶d the resources for more, the energy for more. Really, it鈥檚 pretty simple in a way.鈥�
Watching Federer stay fresh and eager deep into his thirties, against logic and against tennis precedent, it was intriguing to realize that his ability to remain in the moment was in fact about forethought. If he was relaxed and accommodating despite all the forces pulling at him, it was because he knew himself and his microcosm well enough to avoid the pitfalls that would likely snu铿� out his pilot light.
But then such intentionality is very much in harmony with his career as a whole.
He has often made the game look astonishingly easy through the decades: hitting aces, gliding to forehands, and, in his most gravity-defying act, remaining high above the waterline in a world right-fully 铿俹oded with icon cynicism. But his path from temperamental, bleached-blond teenager with dubious style sense to one of the most elegant and self-possessed great athletes has been a long-running act of will, not destiny.
Federer is widely perceived as a natural, and yet he is a meticulous planner who has learned to embrace routine and self-discipline, plotting out his schedule well in advance and in considerable detail.
At a press conference, Federer will answer queries at length and with a certain restraint. It is rare that he will stray o铿� topic or volunteer information, but he respects the question and the questioner: quite a contrast with some of his predecessors (see Jimmy Connors) and his peers (see Lleyton Hewitt and, sadly in her later years, Venus Williams). In more intimate settings, Federer鈥檚 natural exuberance and geniality often get him waving his arms and launching into rambling paragraphs. Thoughts expressed in English鈥� his 铿乺st language but not always his best language鈥� can take him in unexpected directions that require him to double back and make a few detours to get to his intended destination.
He is less polished o铿�-camera, even goofy at times, although he saves his pranks and surprises for friends and colleagues, not for journalists along for the ride.
It is just one planet, and he has covered a great deal of it: pursuing trophies, paydays, novelty, ful铿乴lment, and, increasingly through the seasons, communion.
Argentina was an unexpectedly meaningful stop on the journey, and as we approached his hotel in downtown Buenos Aires, Federer, winner of a record seventeen Grand Slam singles titles at that stage, was emphasizing how much he still wanted to improve.
鈥淚鈥檓 going to take a vacation after this, rest and just get away from it all, because the last few years have been extremely intense,鈥� he said. 鈥淚 feel if I keep on pushing at this pace I might lose interest like you mentioned, just get jaded.鈥�
Federer laughed.
鈥溾�楯aded.鈥� That鈥檚 the new word I have in my vocabulary, and that鈥檚 the last thing I want happening,鈥� he said. 鈥淗opefully next year is going to be a platform for many more years. That鈥檚 the opportunity I want to give myself.鈥�
Excerpted from THE MASTER: The Long Run and Beautiful Game of Roger Federer. 漏2021 Christopher Clarey and reprinted by permission from Twelve Books/Hachette Book Group.
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